GeTTING A HANDLE ON digital convergence
By George Swords
It used to be only the technologically astute who controlled multiple
electronic devices from one remote, and only the rich or road warrior
executives who carried digital gear with capabilities that matched (or
bettered) the stationary counterparts. Now such technology is far more
accessible, and this would seem to be all to the good. So why are some
companies up in arms over this portable revolution? It boils down to one
word: copyright.
Today, many people have more electronics than they can
shake a stick at. Desktop computers, personal digital assistants, cell
phones, digital music players, digital cameras (still or video), video
game players … the list goes on and on. Not all of these are separate
devices, though. For example, it’s easy to find a cell phone equipped
with a digital camera and Internet surfing capability; some even have
built-in PDA functionality, or the ability to play digital music.
“Digital convergence” is a buzz phrase that has been
around for years. Now, however, we are seeing this convergence trickle
down to users who may not be your typical technologically savvy early
adopters. A recent USA Today article included a number of examples,
starting with a man who hooks up his Apple laptop to his TV and
speakers, and uses it to watch movies and play CDs –- with his cell
phone functioning as a remote, thanks to some special purpose software.
With this kind of versatility, who needs a CD or DVD player?
Granted, many people are not participating in this
particular technological revolution. For example, my own year-old cell
phone can’t take pictures (though it does offer access to the Internet).
But it is getting easier to combine computing, communication, and
entertainment. This technological convergence is terrifying to some
companies, such as those who make their livelihood from movies and
music. Still, it inspires the imagination of others –- companies and
individuals with a vision of information and entertainment delivered
where and in whatever form a consumer desires.
The very nature of digital files is what has encouraged
this convergence, as well as the fear from movie and music companies.
Unlike analog files, digital files can be copied over and over again
without any degradation in quality. They are also often quick to copy
(especially over a high-speed Internet connection) and can be easy to
transfer between digital devices. Anyone who remembers Napster and Kazaa
understands both why digital files are so popular with users, and why
movie and music companies complain that digital technology all but
invites widespread piracy and copyright infringement.
Another advantage of digital technology is its
perceived permanence. One woman described in USA Today purchased a
digital audio recorder in order to capture her elderly Jewish father’s
memories of World War II. She is using the digital device, she said,
because she wants the memories to last.
Digital files are also more versatile than analog
files. A digital file can be downloaded to a variety of devices,
including a PC, a PDA, a digital music player, and so forth. Digital
files can also be sent over the Internet in a variety of ways, including
via email. They can be edited with PC software.
This kind of technology lets people do more than simply
add to their music and movie collections. They can even do more than
take their digital collections with them wherever they go. Digital
technology lets users become their own publishers and media moguls, even
more than the advent of the Internet. A mere glance at the phenomenon
known as podcasting (“radio programs” often produced by dedicated,
enthusiastic amateurs for downloading from the Internet onto digital
music players) gives some hint as to the future of digital
entertainment.
Movie and music companies barely perceive the threat
from podcasters and others who are making their own “niche programming.”
Currently, they are more concerned with piracy, and have been working to
find ways to “lock” digital files to prevent their indiscriminate
copying. But movie, music, and even cable companies face an even bigger
threat –- and once again, it comes from the Internet.
Enter the iMac
What if you could command an entire world of music,
photos, movies and DVDs — all from your sofa? Now you can share the good
life with friends and family on a 17- or 20-inch new iMac G5 featuring
Front Row software and Apple Remote. Slimmer than ever, the
gravity-defying enclosure also houses built-in iSight, SuperDrive,
wireless and the easy-to-use software that brings it all together.
You’ve got the best seat in the house. The full-screen
Front Row media experience — with its intuitive menus, large text and
brilliant graphics — lets you browse the music, photos and videos on
your iMac as easily as you browse music on your iPod. And the new Apple
Remote lets you do your browsing from anywhere in the room. So gather
your friends and dazzle them with a slideshow of your vacation pics, a
home movie or a DVD. The iMac G5 was born to entertain.
iMac G5 will change the way you look at computers.
Literally. Enjoy — and share — your music, movies and photos from any
seat in the house on a gorgeous, liquid crystal display. Intuitive Apple
software and hardware make impossible science fiction dreams an
effortless reality.
Dazzle your friends with an elegant full-screen media
display. Front Row transforms an evening of home movies or TV shows into
a blockbuster Hollywood premiere. Or preview actual Hollywood
blockbusters from the Apple.com trailer website. Press ‘menu’ on the new
Apple Remote to let Front Row take center stage with large text,
intuitive menus and brilliant graphics. No setup required.
The new Apple Remote makes it easy to navigate through
all the digital goodies you’ve collected and created. Apple designers
simplified the average remote from 60 buttons you’ll never use to just
the six buttons you need. So you can navigate quickly through the Front
Row interface, enjoying your digital media exactly as you wish. Pause.
Skip. Crank up the volume. Whatever your pleasure, wherever you sit.
With iTunes, you’re never more than a click away from
the world’s most popular source of music, audiobooks and podcasts. Now
the digital revolution strikes again — you can also purchase your
favorite music videos and selected TV shows. Download those episodes of
Lost or Desperate Housewives that you missed. Or sync your videos with
the new iPod and watch them anywhere.
There’s an iSight camera built into every new iMac, so
you can start a video chat (or join one) at a moment’s notice. There’s
nothing to buy, nothing to attach, no cords to fumble with, no software
to install or configure. Simply start up iChat AV, click your buddy’s
video icon and you’re ready to chat with sight and sound — with up to
three friends at once. Proper attire suggested.
Behind its breathtaking 17- or 20-inch widescreen
display, iMac G5 displays some monstrous power — with a 1.9GHz or 2.1GHz
G5 processor, a sizzling new PCI-Express ATI Radeon X600 Pro or XT
graphics processor with 128MB of dedicated video memory and a new
high-bandwidth system architecture. These technologies, coupled with Mac
OS X Tiger (the world’s most advanced operating system), simply make
iMac G5 a joy to drive. Whether you’re exercising your creativity,
surfing the web, playing compute-intensive games or just staying in
touch with friends.
iMac G5 has the power — and the brains — to be the
center of your digital universe. It comes with iLife ’05: a suite of
easy-to-use applications that make the spectacular part of your everyday
life. Enhance, organize and share your photos via iPhoto. Make an epic
starring your kid in iMovie. Turn your photo and movie creations into
professional DVDs with iDVD. Create original music in GarageBand, even
if you can’t carry a tune.
Click to close
window